2026.8.5

In praise of walking to work (Part 2)

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Written & photographed

岡部 健二

岡部 健二

TD

For Part 2, I’d like to deliver the view during my walk to work in the form of a photo diary.

It was my first time taking photos while commuting.
Unexpectedly, it brought back the very reason I’d come to love “walking” — something I’d long forgotten.

In summer, walking in the shade is the basic rule, above all.
If there’s a hill, my eyes naturally go to it.
It shouldn’t change, and yet, before you know it, all sorts of things do.
A head priest’s piece of copy.
The road on the right is more to my taste, but it’s clearly a detour, so on weekdays I often give it up.
I really want to go this way.
The hour for dropping off and picking up children. (I grow homesick and want to turn back.)
Both are good roads, but in summer I prioritize shade and take the right route.
A favorite spot like a ruin eroded by greenery (another road runs above the sloping one).
The morning light comes from the side. A scene full of some kind of anticipation.
The Meguro River, too, is this calm in the morning.
Peering into a river isn’t something I normally do (thanks to the camera).
Another uphill.
Checking the shadows falling on a wall.
Anticipation, no. 2.
The answer to anticipation no. 2.
This hill catches my eye too, but I don’t have the mental room to double back mid-commute.
The contrast of greenery and an open, airy building. Thinking it looks like concept art depicting a future green city.
A vacant lot straight out of a picture.
Yet another uphill.
A sudden burst of Shibuya-ness.
In the morning, few people are heading toward Shibuya Station, so I end up going against the flow of people.
The scramble crossing isn’t that crowded, either.
Once I see the Tadao Ando–designed restroom, the office is near.
Arrival (I forgot to take a photo of the office).

When I was a university student, I watched Akira Miki’s film “Adrift in Tokyo.”
It’s a road movie in which two men of differing ages (a young man and a debt collector) end up wandering around Tokyo, and there’s a line in it that struck me at the time.

“The city of Tokyo is good for strolling because its scenery is so full of variety” (the debt collector’s line, as I hazily recall).
This time, by taking and lining up photos, I felt it anew.
Even without going as far as 45 minutes, seeing an entirely different expression after just a little walking becomes a pleasure of walking.

Another line I like:
“Half of Tokyo’s memories have turned into coin parking lots.”
If you’re not careful, favorite scenery, and scenery that would move you that you haven’t yet seen, will vanish.
It’s not that I want to record them.
Still, I’m not satisfied unless I stand there on my own two feet.

Things like this, even before the walk to work, are what drive me to “walk.”

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